What Mr. Clemens would name the Fourth of July—He speaks of the new home, the mantelpiecesⒶtextual note, rugs, etc.—The Aldrich Memorial, and some of Mrs. Aldrich’s characteristics.
To-morrow is Hell-fire Day, that English holidayⒺexplanatory note which we have celebrated, every Fourth of July, for a century and a quarter in fire, blood, tears, mutilation and death, repeating and repeating and forever repeating these absurdities because neither our historians nor our politicians nor our schoolmasters have wit enough to remind the public that the Fourth of July is not an American holiday. However, I doubt if there is a historian, a politician, or a schoolmaster in the country that has ever stopped to consider what the nationality of that day really is. I detest that English holiday with all my heart; not because it is English, and not because it is not American, but merely because this nation goes insane on that day, and by the help of noise and fire turns it into an odious pandemoniumⒶtextual note. The nation calls it by all sorts of affectionate pet names, but if I had the naming of it I would throw poetry aside and call it Hell’s Delight.
But fortunately for us,Ⓐtextual note we are far from that pandemoniumⒶtextual note, and shall neither see nor hear anything of it. For a couple of weeks now we have been occupying the pleasant and comely and roomy Italian villa which John Howells has built for me on lofty ground surrounded by wooded hills and valleys, and secluded by generous distances from the other members of the human race. I call the house “Innocence at Home,” and I mean to provide the innocence myself, so that it shall be of an unchallengeableⒶtextual note quality. Thirty-five years ago, in Edinburgh, Mrs. Clemens and I came across an old carved oakⒶtextual note mantelpieceⒶtextual note in a kind of general junk-shop and hospital for disabled furniture, and Mrs. Clemens was greatly taken with it and wanted to own it and put it into the house which we were then building in Hartford, Connecticut. It was fourteen feet high and finely and symmetrically proportioned, and beautifully carved. The lower half of it was a hundred and fifty years old and the other half something more thanⒶtextual note a hundredⒺexplanatory note; it had been in a Scotch country mansion all that time and had now been on sale in that junk-shopⒶtextual note a couple of years. The man said he had never had an offer for it; he had never come across anybody that wanted it, and he would now like to get it off his hands, for it was taking up a good deal of room to no purpose. He said he would take twenty pounds for it. We bought it and shipped it to America at once. When we sold the Hartford house, several years agoⒺexplanatory note, Mrs. Clemens preserved the mantelpieceⒶtextual note and stored it away for future use. It is in this house now; it handsomely ornaments the living-room, which is forty-one feet long [begin page 240] by thirty-one wide—and I think that that room is just the right place for it. The lower half of it encloses the fireplace, and we have mortised the other half of it to the wall at the end of the room, where it fills the reserved space exactly; it looks as if it might have been originally designed for that place. In these thirty-five years that twenty-pound investment has done very well indeed commercially. If we should get this mantelpieceⒶtextual note duplicated to-day by the best carver in New York he would charge eight thousand dollars for his labor, and then his product would cover only half the value of this one, because it would lack the rich coloring which this old mantelpieceⒶtextual note has acquired by a century or so of exposure to the lightⒶtextual note and toⒶtextual note wood-smokeⒶtextual note and tobacco smoke, and other ennobling influences.
Also, thirty-five years ago, in Paris, Mrs. Clemens bought a number of old Oriental rugs; rugs which seemed to me a shabby and unpleasant property. Nobody was buying such things at that time, and nobody cared for them, but Mrs. Clemens’s instinct was right, and her taste not to be challenged by anybody, for nobody was competent to challenge it. Every now and then, as the years went by, she bought other old Oriental rugs, until long ago we were sufficiently equipped and needed no more. By that time other people were buying them all around and about Christendom, and the prices were advancing of course; they have continued to advance ever since. Those old rugs have turned out to be a good investment commercially. I remember the cost of the most of them and I think that the whole of them together cost about eight thousand dollars. Several experts, native and foreign, examined them in New York last year and pronounced their present value to be forty thousand dollars. That is just the value of the new house itself, as per the builder’s bills.Ⓐtextual note An early chapter of this Autobiography exposes the fact that every time I have invested money I have lost it; I ought to have reserved my commercial talent and employed Mrs. Clemens’s.
This house is now finished with the exception of one minor detail: some months ago citizensⒶtextual note of the Sandwich Islands wrote me and said they would like to contribute a mantelpieceⒶtextual note to this dwelling—a mantelpieceⒶtextual note to be made of samplesⒶtextual note of the beautiful woods that are native to the Islands. The architect sent the measurements and the fireplaceⒶtextual note is waiting for that ornamentⒺexplanatory note.Ⓐtextual note
Last Monday Albert Bigelow Paine personally conducted me to Boston, and next day to Portsmouth, New Hampshire, to assist at the dedication of the Thomas Bailey Aldrich Memorial MuseumⒺexplanatory note. – – – – – – – At this point I desire to give notice to my literary heirs, assigns, and executors, that they are to suppress, for seventy-five years, what I am now about to say about that curious function. It is not that I am expecting to say anything that shall really need suppressing, but that I want to talk without embarrassment and speak with freedom—freedom, comfort, appetite, relish.
As text and basis I will here introduce a few simple statistics: theⒶtextual note late Thomas Bailey Aldrich was born in his grandfather’s house in the little town of Portsmouth, New Hampshire, seventy-two or seventy-three years agoⒺexplanatory note. His widow has lately bought that house and stocked it with odds and ends that once belonged to the child Tom Aldrich, [begin page 241] and to the schoolboyⒶtextual note Tom Aldrich, and to the old poet Tom Aldrich, and turned the place into a memorial museum in honor of Aldrich and for the preservation of his fame. She has instituted an Aldrich Museum Memorial Corporation under the laws of the State of New Hampshire, and has turned the museum over to this corporation which is acting for the City of Portsmouth, the ultimate heir of the benefaction, and she has injected the mayor of Portsmouth and other important people into that corporation to act as advertisement and directorsⒶtextual note Ⓔexplanatory note. A strange and vanity-devoured, detestable woman! I do not believe I could ever learn to like her except on a raft at sea with no other provisions in sight.
The justification for an Aldrich Memorial Museum for pilgrims to visit and hallow with their homage may exist, but to me it seems doubtful. Aldrich was never widely known; his books never attained to a wide circulation; his prose was diffuse, self-conscious, and barren of distinction in the matter of style; his fame as a writer of prose is not considerable; his fame as a writer of verse is also very limited, but such as it is it is a matter to be proud of. It is based not upon his output of poetry as a whole but upon half a dozenⒶtextual note small poems which are not surpassed in our language for exquisite grace and beauty and finish. These gems are known and admired and loved by the one person in ten thousand who is capable of appreciating them at their just value. It is this sprinkling of people who would reverently visit the memorial museum if it were situated in a handy place. They would amount to one visitor per monthⒶtextual note, no doubt, if the museum were in Boston or New York, but it isn’t in those places—it is in Portsmouth, New Hampshire, an hour and three-quarters from Boston by the Boston and Maine Railway, which still uses the cars it employed in its early business fifty years ago; still passes drinking water around per tea-pot and tin cup, and still uses soft coal and vomits the gritty product of it into those venerable cars at every window and crack and joint. A memorial museum of George Washington relics could not excite any considerable interest if it were located in that decayed town and the devotee had to get to it over the Boston and Maine.
When it came to making fun of a folly, a silliness, a windy pretense, a wild absurdity, Aldrich the brilliant, Aldrich the sarcastic, Aldrich the ironical, Aldrich the merciless, was a master. It was the greatest pity in the world that he could not be at that memorial function in the Opera House at Portsmouth to make fun of it. Nobody could lash it and blight it and blister it and scarify it as he could do it. However, I am overlooking one important detail: he could do all this, and would do it with enthusiasm, if it were somebody else’s foolish memorial, but it would not occur to him to make fun of it if the function was in his ownⒶtextual note honor, for he had very nearly as extensive an appreciation of himself and his gifts as had the late Edmund Clarence StedmanⒺexplanatory note, who believed that the sun merely rose to admire his poetry and was so reluctant to set, at the end of the day, and lose sight of it, that it lingered and lingered and lost many minutes diurnally, andⒶtextual note was never able to keep correct time during his stay in the earth. Stedman was a good fellow; Aldrich was a good fellow;Ⓐtextual note but vain?—bunched togetherⒶtextual note they were as vain as I am myself, which is saying all that can be said under that head without being extravagant.
[begin page 242] For the protection of the reader I must confess that I am perhaps prejudiced. It is possible that I would never be able to see anything creditable in anythingⒶtextual note Mrs. Aldrich might do. I conceived an aversion for her the first time I ever saw her, which was thirty-nine years agoⒺexplanatory note, and that aversion has remained with me ever since. She is one of those people who is profusely affectionate, and whose demonstrations disorder your stomach. You never believe in them; you always regard them as fictions, artificialities, with a selfish motive back of them. Aldrich was delightful company, but we never saw a great deal of him because we couldn’t have him by himselfⒺexplanatory note. If anything was ever at any time needed to increase and crystallize and petrify and otherwise perpetuate my aversion to that lady, that lack was made up three years ago, at a time when I was to spend six days in Boston and could invent no plausible excuse for declining to visit the Aldriches at “Ponkapog,”Ⓐtextual note Ⓔexplanatory note a few miles out, a house and estate wheedled out of poor old Mr. Pierce years ago by that artful lady, a number of years before the old gentleman diedⒺexplanatory note. By the time he was ready to die, eleven years ago, she had very comfortably feathered the Aldrich nest in his will. He had already given them a great dwelling-house at 59 Mount Vernon streetⒶtextual note, Boston, and had built for them a small cottage at the seasideⒺexplanatory note; also he had already fed Mrs. Aldrich’s appetite for jimcrackⒶtextual note bric-à-bracⒶtextual note, at considerable expense to his purse; also he had long ago grown accustomed to having her buy pretty much anything she thought she wanted and instruct the tradesmen to send the bill to him; also he had long ago grown accustomed to feeding the Aldrich appetite for travelⒺexplanatory note, and had sent them in costly and sumptuous fashion all about the habitable globe at his expense. Once, in Europe, when I was a bankrupt and was finding it difficult to make both ends meet, Mrs. Aldrich entertained Mrs. Clemens and me by exploiting in a large way various vanities of hers,Ⓐtextual note in the presence of Aldrich and of poor old Mr. PierceⒺexplanatory note—they apparently approving.Ⓐtextual note She had projected a trip to Japan for Mr. Pierce, Mr. Aldrich and herself, and had been obliged to postpone it for a while because she was not able to secure anything better than the ordinary first-class accommodations in the steamer. She was full of a fine scorn for that kind of accommodation, and told how she madeⒶtextual note those steamer people to understand that they must do better than that if they wanted her further custom. She waited until they were able to sell her one of the two seven-hundred-and-fifty-dollarⒶtextual note suites on the promenade deck—a suite with beds for only two in it, but she didn’t explain what she did with Mr. Pierce. Shipped him in the steerage, I reckon. Then she got out half a dozenⒶtextual note gorgeous gowns, worth several hundred dollars each, and told how she gave Worth, the celebrated Parisian ladies’ tailorⒺexplanatory note, a piece of her mind regarding those gowns. She showed him that he was taking up too much of her time in fitting them and fussing at them, and she added that she had never asked him the price of a gown, she didn’t care what he charged, but she would not have her time wasted by his dalliances with the fitting of the things, and she told him quite plainly that her patience was exhausted and that he would never have any of her custom again.
Think of it!! Why damnation! she had been a pauper all her life, and here she was struttingⒶtextual note around on these lofty stilts.
Hell-fire Day, that English holiday] See Clemens’s speech about the Fourth of July in the Autobiographical Dictation of 29 August 1907.
Thirty-five years ago, in Edinburgh . . . the other half something more than a hundred] The oak mantelpiece—purchased in Edinburgh in the summer of 1873—had been in Ayton Castle, built in 1851. To the armorial carvings of its original owner the Clemenses added the date of its installation in the Hartford house (1874); they also added a brass plate engraved with a quotation from Emerson: “The ornament of a house is the friends who frequent it” (Courtney 2011, 60; Emerson 1870, 115).
When we sold the Hartford house, several years ago] The house was sold in May 1903 to Richard M. Bissell, a Hartford Fire Insurance Company executive, for $28,800. This was at a considerable loss, given that in 1906 Clemens (although probably with some exaggeration) put the cost of “house and grounds and furniture” at between $150,000 and $167,000 ( AutoMT2 , 79, 159, 504 n. 79.2–3; Courtney 2011, 123; for the construction of the house see AD, 10 Apr 1907, note at 40.28–29).
citizens of the Sandwich Islands . . . the fireplace is waiting for that ornament] The koa-wood mantelpiece and accompanying breadfruit plaque, gifts from the people of Hawaii, were carved by Frank N. Otremba (1855–1910), a German-born woodcarver and cabinetmaker who had settled in Honolulu in about 1882. The mantelpiece was installed on 30 November 1908, Clemens’s seventy-third birthday. Clemens sent his thanks that day in letters to Otremba (WU-MU) and to H. P. Wood, secretary of the Hawaiian Promotion Committee. In the latter he coined his famous description of Hawaii as “the loveliest fleet of islands that lies anchored in any ocean” ( MTH , 241–43, facsimile of letter facing 243; Rose 1988, 131–32).
personally conducted me to . . . the Thomas Bailey Aldrich Memorial Museum] Aldrich had died in March 1907 (see AD, 26 Mar 1907, note at 14.14). The dedication of the Aldrich Memorial Museum took place on 30 June 1908 at the Portsmouth Music Hall; Clemens was a featured speaker (“Dedication of the Thomas Bailey Aldrich Memorial,” program in CU-MARK). For details of his remarks, see the Autobiographical Dictation of 9 July 1908.
Aldrich was born in his grandfather’s house . . . seventy-three years ago] Aldrich was born in Portsmouth in 1836, but not in his grandfather’s Court Street house. A few years later he moved with his parents to New York City, and then to New Orleans, before he returned to Portsmouth in 1849 to live with his grandfather until 1852. He fictionalized Portsmouth, the house, and his grandfather in 1869 in his semiautobiographical novel The Story of a Bad Boy (Walk Portsmouth 2011; Aldrich Home 2013).
His widow has lately bought that house . . . to act as advertisement and directors] Lilian Woodman Aldrich (1845?–1927), who had married Aldrich in 1865, organized the Thomas Bailey Aldrich Memorial Association at a meeting held in Portsmouth on 8 July 1907. Wallace Hackett, the mayor of Portsmouth, was president of the association and presided over the 1908 dedication ceremony (see AD, 8 July 1908, and the note at 249.40). Among the “elected” directors were several of Clemens’s friends and acquaintances, including William Dean Howells and Finley Peter Dunne. Clemens had also been made a director, but on 25 July 1907 he asked Lyon to notify Charles A. Hazlett, the association’s secretary, that he refused the position,
for the reason that he does not approve of public memorials that have to be paid for by subscription. This does not in any way indicate that Mr. Clemens’s warm friendship & love for Mr. Aldrich has in any way abated; but that for many years he has declined to be sponsor for such memorials, & has repeatedly expressed himself as being most unwilling to have any such distinction paid to himself either living or dead. (CU-MARK)
After Aldrich’s time in Portsmouth, the Court Street house had been used as an orphanage and then as the town’s first hospital. In 1911 Lilian Aldrich recalled that “a fund of ten thousand dollars” was
raised by popular subscription, in sums from one dollar to one thousand dollars. The house . . . was bought and work at once begun to restore the house and garden to their former condition. . . . Not only are the material things restored, but that which is much more difficult, the atmosphere of the past, which is so tangible there that the stranger feels impelled to hasten his visit ere the family return and find him. (Aldrich 1911, 206)
Today the Aldrich House Museum is one of the historic homes of Portsmouth’s Strawberry Banke Museum (New York Times: “Memorial to T. B. Aldrich,” 1 July 1908, 16; “Mrs. Thomas B. Aldrich,” 23 May 1927, 21; New York Passenger Lists 1820–1957, 400:888:38; Hazlett to SLC, 9 July 1907, CU-MARK; Walk Portsmouth 2011; Aldrich Home 2013).
Edmund Clarence Stedman] The poet, critic, and editor whom Clemens blamed for contributing to the failure of Charles L. Webster and Company (see AutoMT2 , 78, 503 n. 78.19–28). He was another of the elected directors of the memorial association.
I conceived an aversion for her the first time I ever saw her . . . thirty-nine years ago] Clemens and Lilian Aldrich had met unhappily in Boston in January 1872 (not in 1869), when Aldrich brought him home unannounced to a dinner that Lilian stuffily and pointedly refused to serve, having misinterpreted Clemens’s appearance and drawling speech as signs of intoxication. She gave a vivid account of the episode, and of her own chagrin upon learning that it was Mark Twain whom she had slighted, in her 1920 memoir, Crowding Memories (Aldrich 1920, 128–32, reprinted in 15 and 16 Mar 1874 to Aldrich, L6, 80–81 n. 11).
we never saw a great deal of him because we couldn’t have him by himself] On occasion at least, Clemens was able to suppress his dislike of Lilian Aldrich. In her memoir, she recalled a convivial 7–10 March 1874 visit she and her husband had made to the Clemenses in Hartford, with Clemens at his prankish best, particularly one morning before breakfast and then at the table, when “loud was the laughter, and rapid the talk” (Aldrich 1920, 146–48, 157–60, reprinted almost entirely in 24 Mar 1874 to Aldrich, L6, 93–94 n. 13). The Aldriches and Clemenses met more than once in Paris in May 1879, after which Clemens wrote, “We (all the tribe) felt an awful vacancy here when the Aldriches left” (25 May 1879 to Aldrich, DLC; OLC to OLL, 13 and 16 May 1879, CtHMTH). And Lilian Aldrich recalled “the wit, the chaff, the merry dinners . . . the gaiety and laughter” of the Paris occasions (Aldrich 1920, 229).
three years ago . . . visit the Aldriches at “Ponkapog,”] On 21 October 1905 Clemens went to Boston “to fill various social engagements (with my jaw) & I will finish up that end of the country—if the weapon holds out; she used to be pretty effective when Samson had her. I shall be there a week; possibly a couple” (20 Oct 1905 to Rogers, Salm, in HHR , 602–3). While in Boston, he spoke at the College Club on 24 October, at the Authors Club on 25 October, and at the Round Table on 26 October. He spent the next few days with the Aldriches at Redman Farm, the remodeled farmhouse they had acquired in the fall of 1874 in Ponkapog, a village twelve miles south of Boston. On 4 November he spoke again in Boston at the Twentieth Century Club, and returned to New York on 6 November (Lyon 1905b, entries for 21 Oct, 24–26 Oct, and 6 Nov; Schmidt 2008; 24 Mar 1874 to Aldrich, L6, 92–93 n. 12; see also the Autobiographical Dictation of 6 July 1908, note at 243.7–8).
wheedled out of poor old Mr. Pierce years ago by that artful lady, a number of years before the old gentleman died] Henry L. Pierce (1825–96) was a chocolate manufacturer, Massachusetts legislator (1860–62, 1866), two-time mayor of Boston (1873, 1878), Republican congressman from Massachusetts (1873–77), philanthropist, and Ponkapog neighbor of the Aldriches’. Lilian Aldrich, recalling her husband’s twenty-five-year friendship with Pierce, reported that “it was exceptional (if they were in the same city) if a day passed in which they did not meet; and after Mr. Pierce’s death the miserable feeling of loneliness changed for a long time Mr. Aldrich’s world” (Aldrich 1920, 278–80). Neither she, nor Ferris Greenslet, Aldrich’s biographer, mentions any of the gifts Clemens catalogs here. When Pierce died, however, he left the Aldrich family a substantial bequest: $200,000 to Thomas and Lilian and $100,000 to each of their twin sons, the house at Ponkapog with all its furnishings, and 155 acres of adjoining land with all the buildings on it (“The Gifts to Mr. Aldrich,” New York Times, 26 Dec 1896, A1). Pierce accompanied the Aldriches on a 10 May 1879 visit to the Clemenses in Paris (OLC to OLL, 13 and 16 May 1879, CtHMTH).
a great dwelling-house at 59 Mount Vernon street, Boston . . . a small cottage at the seaside] In 1883, after previously owning houses on Pinckney Street and Charles Street, Aldrich
bought the beautiful, ample house at 59 Mount Vernon Street, which as time went on was to become a treasure-house of choice books, literary relics, autographs, and objects of art. There through the winters Aldrich, in his hours of ease in his study under the roof, read innumerable French and Spanish novels, or descended with cheerful reluctance to the drawing-room to play the perfect host to the visitors who thronged his hospitable portals.
In 1893 the Aldriches built “ ‘The Crags’ at Tenant’s Harbor on the Maine coast, a summer place that the poet came to be immensely fond of” (Greenslet 1908, 85–86, 94, 151 161).
the Aldrich appetite for travel] The Aldriches traveled abroad frequently and extensively—for example, in March–October 1875, in the summers of 1890–92 and 1900, and in the winters of 1894–95 and 1898–99, when they made round-the-world tours (Greenslet 1908, 117, 119, 161).
Mrs. Aldrich entertained Mrs. Clemens and me . . . in the presence of Aldrich and of poor old Mr. Pierce] Nothing is at present known of this occasion.
Source document.
TS1 Typescript, leaves numbered 2534–45, made from Hobby’s notes and revised.TS1, as revised by Clemens, is the only authoritative source for this dictation.