Explanatory Notes
Headnote
Apparatus Notes
Headnotes
  A Word of Explanation
[begin page 47]
Click the thumbnail to see this chapter’s historiated initial
A Connecticut Yankee
 in King Arthur’s Court
rejected substantiveemendation


  A Wordtextual note of Explanationalteration in the MSemendation

Ittextual note was in Warwick Castleexplanatory note thatalteration in the MS I came across the curious stranger whom I am going to talk about. He attracted me by three things: his candid simplicity, his marvelous familiarity with ancient armor, and the restfulness of his company—for he did all the talking. We fell together, as modest people will, in the tail of the herd that was being shown through,alteration in the MS and he at once began to say things which interested me. As he talked along, softly, pleasantly, flowingly, he seemed to drift away imperceptibly outalteration in the MS of this world and time, and into some remote era and old forgotten country; and so he gradually wove such a spell about me that I seemed to move among the spectres and shadows and dust and mouldemendation of a gray antiquity, holdingalteration in the MS speech with a relic of it! Exactly as I would speak of my nearest personal friends or enemies, or my most familiar neighbors, he spoke of Sir Bedivere, Sir Bors de Ganis, Sir Launcelot of the Lake, Sir Galahad, and all the other great names of the Table Round—and how old, old, unspeakably old, and fadedalteration in the MS and dry and musty and ancient he came to look, as he went on!textual note Presently he turned to me and said, just as one might speak of the weather, or any other common matter—

[begin page 48]

“You know about transmigration of soulsexplanatory note; do you know about transposition of epochs—and bodies?”

I said I had not heard of it. He was so little interested—just as when people speak of the weather—that he did not notice whether I made him any answer or not. Therealteration in the MS was half a moment of silence; immediately interrupted by the droning voice of the salaried cicerone:

“Ancient hauberk, datealteration in the MS of the sixthalteration in the MS century, timealteration in the MS of King Arthur and the Round Table; said to have belonged to the knight Sir Sagramouremendation le Desirous; observe the round hole through the chain-mail inalteration in the MS the left breast;alteration in the MS can’t be accounted for; supposed to have been done with a bullet since invention of firearms—perhaps maliciously by Cromwell’s soldiers.”

My acquaintance smiled—not a modern smile, but one that must have gone out of general use many, many centuries ago—and muttered, apparently to himself:alteration in the MS

“Wit ye well, I saw it done emendation.” Then, after a pause, added: “I did it myself.”

By the timealteration in the MS I had recovered from the electricemendation surprisealteration in the MS of this remark, he was gone.textual note


All that evening I sat by my fire at the Warwick Armsexplanatory note, steeped in a dream of the olden time, while the rain beat upon the windows and the wind roaredalteration in the MS about the eaves and corners. From time to time I dipped into old Siralteration in the MS Thomas Malory’semendation textual note enchanting book, and fed at its rich feast of prodigies and adventures,alteration in the MS breathed-in the fragrance of its obsolete names, and dreamed again. Midnight being come at length, I read another taleemendation, for a night-cap—thisemendation alteration in the MS which here followsemendation, to witemendation:alteration in the MS


How Sir Launcelot slew two giants, and made a castle free.

Anon withal came there upon him two great giants, well armed all save the heads, with two horrible clubs in their hands. Sir Launcelot put his shield afore him, and put the stroke away of the one giant, and with his sword he clave his head asunder. When his fellow saw that, he ran away as he were wood,*emendation for fear of the horrible strokes, and Sir Launcelot after him with all his might, and smote him on the shoulder, and clave him to the middle. Then Sir Launcelot went into the hall, and there came afore him threescore ladies and damsels,


*Demented.emendation [begin page 49] and all kneeled unto him, and thanked God and him of their deliverance. For, sir, said they, the most part of us have been here this seven year their prisoners, and we have worked all manner of silk works for our meat, and we are all great gentlewomen born, and blessed be the time, knight, that ever thou wert born; for thou hast done the most worship that ever did knight in the world, that will we bear record, and we all pray you to tell us your name, that we may tell our friends who delivered us out of prison. Fair damsels, he said, my name is Sir Launcelot du Lake. And so he departed from them and betaught them unto God. And then he mounted upon his horse, and rode into many strange and wild countries and through many waters and valleys, and evil was he lodged. And at the last by fortune him happened against a night to come to a fair courtelage, and therein he found an old gentlewoman that lodged him with a good will, and there he had good cheer for him and his horse. And when time was, his host brought him into a fair garret over the gate to his bed. There Sir Launcelot unarmed him, and set his harness by him, and went to bed, and anon he fell on sleep. So soon after there came one on horseback, and knocked at the gate in great haste. And when Sir Launcelot heard this he arose up, and looked out at the window, and saw by the moon-light three knights camerejected substantive riding after that one man, and all three lashed on him at once with swords, and that one knight turned on them knightly again and defended him. Truly, said Sir Launcelot, yonder one knight shall I help, for it were shame for me to see three knights on one, and if he be slain I am partner of his death. And therewith he took his harness and went out at a window by a sheet down to the four knights, and then Sir Launcelot said on high, Turn you knights unto me, and leave your fighting with that knight. And then they all three left Sir Kay, and turned unto Sir Launcelot, and there began great battle, for they alight all three, and strake many greatrejected substantive strokes at Sir Launcelot, and assailed him on every side. Then Sir Kay dressed him for to have holpen Sir Launcelot. Nay, sir, said he, I will none of your help, therefore as ye will have my help let me alone with them. Sir Kay for the pleasure of the knight suffered him for to do his will, and so stood aside. And then anon within six strokes Sir Launcelot had stricken them to the earth.

And then they all three cried, Sir knight, we yield us unto you as man of might matchless. As to that, said Sir Launcelot, I will not take your yielding unto me, but so that ye yield you unto Sir Kay the seneschal, on that covenant I will save your lives and else not. Fair knight, said they, that were we loth to do; for as for Sir Kay we chased him hither, and had overcome him had not yerejected substantive been; therefore to yield us unto him it were no reason. Well, as to that, said Sir Launcelot, advise you well, for ye may choose whether ye will die or live, for [begin page 50] andrejected substantive ye be yielden it shall be unto Sir Kay. Fair knight, then they said, in saving our lives we will do as thou commandest us. Then shall ye, said Sir Launcelot, on Whitsunday next coming go unto the court of king Arthur, and there shall ye yield you unto queen Guenever, and put you all three in her grace and mercy, and say that Sir Kay sent you thither to be her prisoners. On the morn Sir Launcelot arose early, and left Sir Kay sleeping: and Sir Launcelot took Sir Kay’s armour and his shield and armed him: and so he went to the stable and took his horse, and took his leave of his host, and so he departed. Then soon after arose Sir Kay and missed Sir Launcelot: and then he espied that he had his armour and his horse. Now by my faith I know well that he will grieve some of the court of king Arthur: for on him knights will be bold, and deem that it is I, and that will beguile them: and because of his armour and shield I am sure I shall ride in peace. And then soon after departed Sir Kay, and thanked his host.textual note explanatory note

As I laid the book down there was a knock at the door, and my stranger came in. I gave him a pipe and a chair, and made him welcome. I also comforted him with a hotalteration in the MS Scotch whisky; gavealteration in the MS him another one; then still another—hoping always for his story. After aalteration in the MS fourth persuader, he drifted into it himself, in a quitealteration in the MS simple and natural way:


The Stranger’s History.


I am an American. I was born and reared in Hartford, in the State of Connecticut—anyway, just over the river, in the country. So I am a Yankee of the Yankees—and practical; yes, and nearly barren of sentiment, I suppose—or poetry, in other words. My father was a blacksmith, my uncle was a horse-doctor, and I was both, along at first. Then I went over to the great Coltrejected substantive emendation textual note arms-factoryalteration in the MS and learned my real trade; learned all there was to it; learned to make everything: guns, revolvers, cannon, boilers, engines, all sorts of labor-saving machinery. Why, I could make anything a body wanted—emendationanything in the world, it didn’t make any difference what; and if there wasn’t any quick, new-fangled way to make a thing, I could invent one—and do it as easy as rolling off a log. I became head superintendent; hadrejected substantive textual note a couple ofemendation alteration in the MS thousand men under me.

Well, a man like that, is a man that is full of fightrejected substantive textual note—that goes without saying. With a couple ofemendation thousand roughemendation alteration in the MS men under one, one has plenty of that sort of amusement. I had, anyway. At last I metalteration in the MS my [begin page 51] match, and I got my dose. It was during a misunderstanding conducted withalteration in the MS crowbarsemendation with a fellow we used to call Hercules. He laid me out with a crusher alongside the head that made everything crack, and seemed to spring every joint in my skullalteration in the MS and make it overlap its neighbor. Then the world went out in darkness, and I didn’t feel anything more, and didn’t know anything at all—at least for a while.

Whenalteration in the MS textual note I came to again, I was sitting under an oak tree, on the grass, with a whole beautiful and broad country landscape all to myself—nearly. Not entirely; for there was a fellow on a horse, looking down at me—a fellow fresh out of a picture-book. He was in old-time iron armor from head to heel, with a helmet on his headalteration in the MS the shape of a nail-kegemendation with slits in it;alteration in the MS and he had a shield, and a sword, and a prodigious spear; and his horse had armor on, too, and a steel horn projecting from his forehead, and gorgeous red and green silk trappings that hung down all around him like a bed-quilttextual note, nearly to the ground.

the stranger’s story.

“Fair sir, will ye just?” said this fellow.

“Will I which?”

“Will ye try a passage of arms for land or lady or for—”

“What are you giving me?” I said. “Get along back to your circus, or I’ll report you.”

[begin page 52]

Now what does this man do but fall back a couple of hundred yards and then come rushingemendation at me as hard as he could tearemendation alteration in the MS, with his nail-kegemendation bent down nearly to his horse’s neck, and his long spear pointed straight ahead. I saw he meant business; so I was up the tree when he arrived.

He allowed that I was his property, the captive of his spear. There was argument on his side—and the bulk of the advantage; so I judged it best to humor him. We fixed up an agreement whereby I was to go with him and he was not to hurt me. I came down, and we started away, I walking by the side of his horse. We marched comfortably along, through glades and over brooks which I could not remember to have seen before—which puzzled me and made me wonder—and yet we did not come to any circus or sign of a circus. So I gave up the idea of a circus, and concluded he was from an asylum. But we never came to any asylum—so I was up a stump, as you may say. I asked him how far we were from Hartford. He said he had never heard of the place; which I took to be a lie, but allowed it to go at thatemendation. At the end of an hour we saw a far-awayalteration in the MS town sleeping in a valley by a winding river; and beyond it on a hill,alteration in the MS a vast gray fortress, with towers and turrets, the first I had ever seen, out of a picture.

Bridgeportexplanatory note?” said I, pointing.

“Camelot,”alteration in the MS said he.emendation textual note


Mytextual note stranger had been showing signs of sleepiness. He caught himself nodding, now; and smiled one of those pathetic obsolete smiles of his, and said:

“I find I can’t go on; but come with me, I’ve got it all written out, and you can read it if you like.”

In his chamber, he said:

“First, I kept a journal; then by and by, after years, I took the journal and turned it into a book. Howalteration in the MS long ago that was!”

He handed me his manuscript, and pointed out the place where I should begin:

“Begin here—I’ve already told you what goes before.” He was steeped inemendation drowsiness by this time. As I went out at his door I heard him murmur sleepily:

“Give you good den, fair sir.”

[begin page 53]

I sat down by my fire and examined my treasure. The first part of it—the great bulk of it—was parchment, and yellow with age. I scanned a leaf particularly, and saw that it was a palimpsest. Under the old dim writing of the Yankee historian appeared traces of a penmanship which was older and dimmer still—Latin words and sentences: fragments from old monkish legends,alteration in the MS evidently. I turned to the place indicated by my stranger, and began to read—as follows.


Editorial Emendations   A Word of Explanation
  A . . . Court  (A)  ●  not in  (MS) 
  A Word of Explanation  (I-C)  ●  A Word of Explanation.  |   Chap. 1. A reads “A WORD OF EXPLANATION.”  (MS) 
  mould (I-C)  ●  mold (MS) 
  Sagramour (I-C)  ●  Sagramore (MS) 
  I saw it done  (A)  ●  I saw it done (MS) 
  electric (A)  ●  not in  (MS) 
  Malory’s (A)  ●  Mallory’s (MS) 
  another tale (A)  ●  three more tales (MS) 
  this (A)  ●  these (MS) 
  follows (A)  ●  follow (MS) 
  to wit (I-C)  ●  to-wit (MS) 
  wood,* (A)  ●  wood,  (Malory) 
  *Demented. (A)  ●  not in  (Malory) 
  Colt (Cent)  ●  not in  (MS) 
  wanted— (A)  ●  wanted: even gunpowder, percussion caps— (MS) 
  a couple of (A)  ●  a/2 (MS) 
  couple of (A)  ●  not in  (MS) 
  rough (A)  ●  rough/live (MS) 
  crowbars (A)  ●  iron crowbars (MS) 
  nail-keg (A)  ●  cheesbox (MS) 
  rushing (A)  ●  tilting (MS) 
  tear (A)  ●  tear/come (MS) 
  nail-keg (A)  ●  cheesbox (MS) 
  lie, but . . . that (A)  ●  lie (MS) 
  he.  |  space  (A)  ●  he.  |  Chap. 2. (MS) 
  in (A)  ●  with (MS) 
Rejected Substantives   A Word of Explanation
  A . . . Court  (Pr,A)  ●  A Yankee at the Court of King Arthur (E)  not in  (MS) 
  came (Malory)  ●  come (A,E) 
  great (Malory)  ●  not in  (A,E) 
  not ye (Malory)  ●  ye not (A,E) 
  and (Malory)  ●  an (A,E) 
  Colt (Cent)  ●  not in  (MS,Pr,A,E) 
  superintendent; had (MS,Pr,A,E)  ●  superintendent, and had (Cent) 
  is full of fight (MS,Pr,A,E)  ●  has got plenty of sand (Cent) 
Alterations in the Manuscript   A Word of Explanation
 A Word of Explanation] follows ‘Title of Book: The tale of the Lost Land’ written and canceled in pencil.
 that] written over ‘I’.
 through,] followed by canceled ‘& when’ or canceled ‘where’.
 out] follows canceled ‘into’.
 holding] follows canceled ‘and’.
 faded] followed by a canceled comma.
 There] follows canceled ‘At this’.
 date] follows canceled ‘said’.
 sixth] interlined in pencil without a caret above canceled ‘seventh’.
 time] follows canceled ‘said’ which follows an unrecovered character.
 in] interlined in pencil without a caret above canceled ‘over’.
 breast;] interlined in pencil above canceled ‘nipple;’.
 himself:] the colon replaces a wiped-out dash.
 By the time] follows canceled ‘When I’.
 electric surprise] the MS reads ‘surprise’; originally ‘electric surprise’; ‘electric’ canceled; emended.
 roared] follows canceled ‘slammed’.
 Sir] written over wiped-out ‘Th’.
 fed . . . adventures,] interlined above canceled ‘rolled its sweet marvels under my tongue,’.
 another tale . . . this] the MS reads ‘three more tales . . . these’ which in turn replaces the original ‘one more tale . . . the one’; ‘three’ interlined above canceled ‘one’, ‘s’ added to ‘tale’, ‘se’ added to ‘the’, ‘one’ canceled; emended.
 here . . . to wit:] the MS reads ‘here . . . to-wit:’, which was added below canceled ‘tells’; emended.
 a hot] ‘a’ interlined.
 gave] follows canceled ‘repeated it’.
 After a] ‘a’ written over wiped-out ‘f’.
 quite] interlined above canceled ‘perfectly’.
 arms-factory] the hyphen added in black ink.
 a couple of] the MS reads ‘a/2’; ‘2’ is interlined in pencil without a caret above uncanceled ‘a’; emended.
 rough] the MS reads ‘rough/live’; ‘live’ is interlined in pencil without a caret above uncanceled ‘rough’; emended.
 met] written over wiped-out ‘g’.
 conducted with] followed by canceled ‘crow’.
 skull] followed by a canceled comma.
 When] ‘he’ written over two wiped-out unrecovered letters.
 on his head] interlined.
 it;] followed by canceled ‘& chain-mail gauntlets that reached half up to his elbow;’.
 tear] the MS reads ‘tear/drive’; ‘drive’ is interlined in pencil without a caret above uncanceled ‘tear’; emended.
 far-away] interlined above canceled ‘white’.
 on a hill,] interlined.
 “Camelot,”] interlined above canceled ‘ “Astolat,” ’.
 How] follows canceled ‘Lord,’.
 old monkish legends,] interlined above canceled ‘Caesar’s Commentaries,’.
Textual Notes   A Word of Explanation
  A Word ]At the top of the first manuscript page, Mark Twain wrote and canceled in pencil “Title of Book: The tale of the Lost Land.”
 IT] In the manuscript the frame story is headed “Chap. 1.” The heading “Chap. 2.” divides Hank Morgan’s direct narrative, “The Stranger’s History,” from the introduction of the palimpsest (52.22). It was probably when he revised the typescript that Mark Twain decided that only Hank’s book, “The Tale of the Lost Land,” which he also headed “Chap. 1.” in the manuscript, would be divided into numbered chapters. He eliminated the first chapter heading and substituted extra space for the second.
 on!] Followed in the manuscript by a canceled cross of unknown significance. Nearly identical markings occur after “bodies?’ ” at 48.2, “breast;” and “for;” at 48.10, “soldiers.’ ” at 48.12, “American.” at 50.23, “Yankees” at 50.25, “513.” at 61.25, “sorrow;” at 70.27, and “city” in a sentence Mark Twain later deleted from the text (see the substantive emendation at 80.1–2).
 gone.] Followed in the manuscript by the instruction, written and canceled in black ink, “Go back to page B of ‘NOTES.’ ” No page so designated survives.
 Malory’s] Correction of the manuscript’s spelling, “Mallory’s,” was the first suggestion Edmund Clarence Stedman offered Mark Twain in his 7 July 1889 letter (see Appendix D).
 

How . . . host.] The quoted passage reproduces Book 6, chapter 11, of Malory’s Morte Darthur, with two omissions. Before settling on this passage, Mark Twain vacillated over which of Launcelot’s adventures to include here and over how many chapters to quote. To guide the typist he wrote in the manuscript “How Sir Launcelot justed against four knights of the Round Table, & overthrew them,” followed by the notation “(123”—the title and page number of Book 6, chapter 13, in the Globe edition of Malory. Above the title he squeezed in “[Put the following tale in small type.]” and below it he wrote “[Here insert it].” Then he decided to include two more chapters, and revised the manuscript (see the alterations list, 48.26) and his instructions accordingly. He changed “tale” to “tales” and expanded “[Here insert it]” to “[Here insert—beginning on page 120—chapters XI, XII, & XIII, preceding each by its title in italics.]” In pencil he canceled chapter 13’s title and page number. He concluded with the note “The next MS page is marked 12” (the instructions are on MS I, p. 6).

Eventually Mark Twain changed his mind again: he decided to quote only one shortened chapter and therefore altered his introduction to the passage (see the three substantive emendations at 48.26). He settled on chapter 11, leaving out twenty-four lines of conversation between Launcelot and the rescued damsels at 49.9 (“Lake.”) and twenty-six lines at 50.6 (“prisoners.”) in which Sir Kay and Launcelot return to the inn, Kay thanks Launcelot, and the knights retire “lodged together in one bed.” Since Clemens turned the book over to his copyist, the Globe Morte Darthur serves as copy-text for this passage, but no purpose would be served by reporting the two excisions as emendations, and they are omitted from the table. Such departures from Mark Twain’s usage as the spelling “armour” are not regularized to conform to the manuscript.

 Colt] This addition appears to be part of Mark Twain’s literary revision of the Century typescript, although because he refers to the Colt factory by name on page 351, in a portion of the book not included in the magazine excerpts, it could be argued that the change was only a local one for the Century’s readers, like the identification of Clarence as “the page” at 101.15 in the magazine version.
 superintendent; had] Although the other substantive variant in the Century version of this passage is accepted as Mark Twain’s change, the magazine’s “superintendent, and had” appears to be editorial, substituting syntactical smoothness for Hank’s laconic style.
 is full of fight] The Century reads “has got plenty of sand,” a change that is almost certainly Mark Twain’s, but that doesn’t fit the book version. The magazine’s excerpt from chapter 1 ends with this sentence: no reference is made to the fight with Hercules; instead the summary paragraph explains that “by a curious accident” the Yankee “was flung back thirteen centuries.” To drop “is full of fight” from the book, however, would have made the reference in the next sentence to “plenty of that sort of amusement” obscure if not unintelligible; retaining the Century language would have created an awkward repetition of “plenty” as well.
 When] In the upper left corner of the manuscript page beginning here, Mark Twain wrote and canceled in pencil “Exp here,” underlined twice.
 bed-quilt] In the manuscript “bed” and “quilt” are linked by a long ligature. The ligature has been interpreted as a hyphen on the basis of the clear hyphen in “bed-quilt” at 99.8.
 he.] At the foot of the manuscript page ending here, Mark Twain wrote “Go to page 2 of ‘NOTES.’ ” in black ink. Above it in pencil he wrote “(Next p. is p. 2 of ‘NOTES.’ ” (The page is not extant.) Both notations are canceled in black ink. To the right of “he” is a mark in pencil which may be a cross or the figure “4.”
 My] Begins a new chapter in the manuscript. See the textual note at 47.1.
Explanatory Notes   A Word of Explanation
 Warwick Castle] Clemens visited Warwick Castle in 1872 (Clemens to Olivia Clemens, 11 September 1872, Mark Twain’s Collected Letters, Volume III (1871–1874), ed. Michael B. Frank [Berkeley, Los Angeles, London: University of California Press, 1980], letter 207). The castle was an important tourist attraction, and Clemens may have returned there in 1873 when he was in Warwick ( N&J1 , p. 566), or in August 1879 when he and his family stayed in Oxford. (A visit to Warwick from Oxford was a popular side trip, recommended by Baedeker’s guide.) In any event, Clemens was clearly impressed by his visit, for he saved a set of picture postcards (now in the Mark Twain Papers) showing four views of the castle. Warwick Castle was a particularly appropriate place for Mark Twain and the Yankee to meet. The legendary Guy of Warwick was noted for slaying a Saracen giant in single combat, a wild boar, an enormous dun cow, and even a green dragon. Guy’s armor is on view in the castle’s collection—one of the most famous collections of armor in the world. The castle was, moreover, the site of a notable battle during the English Civil War, when the parliamentary forces successfully defended it against the royalists; thus, the tour guide’s speculation that the bullet fired into Sir Sagramour’s armor came from the gun of one of Cromwell’s soldiers is entirely plausible.
 transmigration of souls] The Pythagorean doctrine that human souls transmigrate after death into animals would have been familiar to Clemens from his reading of William H. Lecky’s History of European Morals (2:176), and, perhaps, from Masonic writings as well.
 Warwick Arms] The hotel where Mark Twain entertains the Yankee and obtains “The Tale of the Lost Land” was distinguished by Baedeker with an asterisk, signifying places “which the Editor has reason to believe good of their class.” Clemens probably stayed there when he visited Warwick; the cache of postcards he kept as mementos includes one with a picture of the Warwick Arms.
  How . . . host.] The passage quoted is from Morte Darthur, Book 6, chapter 11. See the textual note.
 Bridgeport] As he realizes that he is the victim of some fantastic occurrence, the Yankee’s imagination reaches as far as it can, to this Connecticut town fifty miles from Hartford. His choice of Bridgeport as Wonderland may owe something to the town’s identification with P. T. Barnum: it served as winter quarters for the Barnum and Bailey circus, and Barnum made his home there. He stocked his mansion’s park with Rocky Mountain elk and reindeer, and for a short time employed an elephant to plow his fields. Barnum’s autobiography, one of Clemens’ favorite books ( MTB , 1:410, 3:1540), includes a picture of the elephant, harnessed to the plow, being directed by a keeper in Oriental costume. Hamlin Hill discusses the connections between Barnum and the Yankee in “Barnum, Bridgeport and The Connecticut Yankee,” American Quarterly 16 (Winter 1964): 615–616.