Explanatory Notes
Apparatus Notes
MTPDocEd
[begin page 146]
27. [Ghost Life on the Mississippi]
January–June 1861

“Ghost Life on the Mississippi” was probably written in 1861 before Clemens took the overland stage to Nevada in July. Annie Moffett, his niece, remembered having heard her uncle tell or read this tale—or a version of it—when she was a little girl in St. Louis.1 The untitled manuscript, which Clemens probably left with the Moffetts when he went West, is preserved in the Jean Webster McKinney Family Papers, now at Vassar. The sketch was published by Samuel C. Webster in 1948, but the present text has been reedited from the manuscript and restores a number of readings inadvertently omitted from Webster's text.

As Allan Bates has shown in a thorough analysis, “Ghost Life” is a milestone in Clemens' early career as a writer.2 Despite certain inconsistencies and weaknesses in the narrative handling, the tale reveals a growing literary maturity and a distinct ability to construct serious fiction of some length. In it Clemens shows demonstrable growth in craft over “The Mysterious Murders in Risse” (no. 25), in particular through sophistication in establishing credibility, creating and maintaining suspense, and dramatizing the action through the effective use of details. Neither the third-person narrative nor the dialogue achieves the ease and seeming simplicity of his later vernacular style, but the author has taken long strides beyond the stiffness of his earlier works, and he has taken an important step toward assimilating material from his own experience.

Editorial Notes
1  MTBus , p. 48.
2  MTMR , pp. 234–245.
Textual Commentary

The manuscript of this tale, probably written sometime in early 1861, survives in the Jean Webster McKinney Family Papers, Vassar. It is copy-text. The manuscript is untitled; we have adopted the title given it by Samuel C. Webster when he published the piece in the Pacific Spectator 2 (Autumn 1948): 485–490. The piece is written in pencil, in double columns, on two folios, each page of which measures 8 by 9 ¾ inches; the text fills only five of the eight pages, which are unnumbered. The paper is wove, ruled with twenty-six to twenty-eight blue lines, and embossed in the upper left corner with what appears to be a crown flanked by two lions.

[begin page 147]
[Ghost Life on the Mississippi]

The recent death of an old Saint Louis and New Orleans pilot has brought the following strange story to light. I shall not attempt, by any word of my own, to secure the reader's belief in it, but I will merely relate the simple facts in the case, as they fell from the lips of a dying man, and leave him to form his own opinion. Fictitiousalteration in the MS names, however, will be used throughout the narrative, in accordance with the wishes of certain actors in the mysterious drama who are still living.

Joseph Millardexplanatory note, the pilot referred to, was a master of his profession, a good man, and a truthful man; and this tale, coming from his lips, while in a perfectly sound state of mind, and stretched upon his death-bed, leaves but a small field for the cavilings of the incredulous. Until that hour the whole thing had been kept a profound secret by himselfalteration in the MS and the other witnesses of the horrible affair. And now for the facts.

A number of years ago, a Saint Louis and New Orleans packet, which I will call the “Boreas,”explanatory note was on her way up the river, and at about ten o'clock at night, the sky, which had before been clear, suddenly became overcast, and snow commenced falling soon afterwards. The boat was near the head of Dog Tooth Bendexplanatory note at the time. The Captain stepped out of the “Texas,”explanatory note and said to the pilot on watch:

“Well, I reckon Goose Islandexplanatory note would n't be a veryalteration in the MS safe place for the Boreas to-night, Mr. Jones. So, if it keeps on snowing at this rate, I reckonalteration in the MS you had better bring her to at the first wood-pile you come across near the head of Dog Tooth or Buffalo Islandexplanatory note.”

[begin page 148]

The little narrow bend around Goose Island is called the “Grave-Yard,” because of the numerous wrecks of steamboats that have found a tomb in it. Besides these obstructions, a great many large snags stood directlyalteration in the MS in the way at the time I speak of, and the narrow channel being very “shoal” also, the best of piloting was necessary in orderalteration in the MS to “run”alteration in the MS Goose Island in safety, even in daylight.

Mr. Jones passed the wood-yardsemendation in silence, and held his way up the river through the driving rain; for that very day he had declared that Goose Island “had no terrors for him, onalteration in the MS any kind of night,” and had been laughed at by several other pilots, who jestingly calledalteration in the MS him the “King of Pilots.” He was still angry and sullen, and occasionally, as he thought of the jest, he would grate his teeth and mutter that “he would show them that he was the king of pilots in reality.”

At about half past eleven the other pilot came up, having been called too soon, through a mistake on the part of the watchmanemendation, and noticing that the boat was approaching the foot of Goosealteration in the MS Islandemendation textual note, he said:

“Why, Jonesemendation, surely you are not going to runalteration in the MS this place on such a night as this?”

“I'll take her through, if the Devil seizes me for it in five minutes afterwardstextual note!”

And through those hidden dangers,—and shrouded in that Egyptian darknessexplanatory notealteration in the MSthe steamer plowed her way, watched by an unerring eye and guided by a master hand, whose nerves trembled not for a single instant! And snags and wrecks remained untouched.

Now, who is king of pilots!”

And those were the last words of William Jones, pilot.

Then he gave up the wheel and left the pilot house,emendation textual note and whenalteration in the MS emendation textual note the four o'clock watch was called, he could not be found. There was blood upon the “nosing” of the starboard guard, and a fireman said, the next day, that a man fell from the boiler deck in the night, and he thought his head struck that place, but that the watchman only laughed at him when he mentioned it,alteration in the MS and said he had a fertile imagination.

When the Boreas arrived at Saint Louis she was sold, and lay idle the balance of the summer, and fall, and finally left for New Orleans in the dead of winter, with an entirely new set of officers—Joe Millard and Ben. Reubens, pilots.

One cold, raw night, as the boat was approaching Goose Island, snow [begin page 149] commenced falling, and it soon became almost too dark to run. This reminded Joe of the almost forgotten Jones; and he determined to try and get the boat up into the little bend as far as the “Shingle Pile,”explanatory note and lay up till morning, as he preferred having the balance of Goose Island in daylight.

He had just gained the foot of the bendexplanatory note when the snow commenced falling so densely that he could see nothing at all—not even the trees on the shore at his side. He stopped the engines, of course.

At that momentalteration in the MS he felt conscious that he was not alone—that some one was in the pilot house with him—although he had bolted the door on the inside, to keep it from blowing open, and that was the only mode of ingress! Yes, he was surealteration in the MS he could distinguish the dim outline of a human figure standing on the opposite side of the wheel. A moment after, he heard the bell lines pulledalteration in the MS—heard the handles strike the frame asalteration in the MS they fell back to their places, and then the faint tinkle of the answering bells came up fromalteration in the MS below. In an instant the wheel was jerked out of his hands, and a sudden gleam of light from a crack in the stove pipe revealed the ghastly features of William Jones, with a great piece of skin, ragged and bloody, torn loose from his forehead and dangling and flapping over his left eye—the other eye dead and fixed and lustreless—hairemendation wet and disordered, and the whole body bent and shapeless, like that of a drowned man, and apparentlyalteration in the MS rigid as marble, except the hands and arms, which seemed alonealteration in the MS endued with life and motion!

Joseph Millard's blood curdled in his veins, and he trembled in every limb at the horrid vision. And yet he was a brave man, and held no superstitious notions. He would have left the accursed place, but he seemed bound with bands of iron. He tried to call for help, but his tongue refused its office; he caught the sound of the watchman's heavyalteration in the MS tramp on the hurricane deck—would no signal draw his attention?—but the trial was vain—he could neither move nor speak,—and aid and comfort almost in a whisper's reach of him. Then the footsteps died away and the desperate man was left alone with his fearful company.

Riveted to the spot he listened to the clashing engines and the moaning of the frosty wind, while that ghostlyalteration in the MS pilot steered the vessel through darkness such as no human eye could penetrate. Millard expected every momentalteration in the MS to hear the timbers crashing against wreck or snag, but he was deceived. Through every danger that infested the way [begin page 150] the dead man steered in safety, turning the wheel from one side to the other calmly and quietly as if it had been noonday.

It seemed to Millard as if an age had passed over his head, when he heard something fall on the floor with a slight clatter on the other side of the wheel; he did not know what it was—he only shuddered, and wondered what it meant. Soon after, by the faint light from the crack in the stove-pipe he saw his ghostly comrade moving silently towards the door—saw him lean against it for a moment, open it,alteration in the MS and disappearalteration in the MS.

Millard mustered strength enough to stop the engines, andalteration in the MS at the same moment he heard the voice of his partner at the door. He stepped back to open it, and found that it was still bolted on the inside!

Poor Millard was now utterly confounded. He felt qualified to swear that he had seen the shape—no matter what it was—man or ghost or devil—go out at that very door—and yet it was still bolted! and so securelyemendation too that he hardly had strength enough left to unfasten it. But when the feat was at last accomplished, he sank down exhausted, and trembling from head to foot like a man with the palsy.

“Why how is this, Joe?—out in such a snow-storm, when one can't see the chimneys, let alone the derricks and jackstaff! You'reemendation beating Jones himself, Joe. Where are we, man?—where are we?”

“God only knows!alteration in the MS Land her, Ben, for Heaven's sake, if you can ever find the shore.”

During a momentary lull in the storm, Ben felt his way to shore, and rounded to under Philadelphia Pointexplanatory note. And then he proceeded to questilon Joe.

“Swear that you will never mention the matter during my life, and I will tell you what I have seen this night; but on no other terms will I open my lips—for if the story should get abroad, Joseph Millard would become the laughing stock of the whole river, Ben.”

Reubens wondered much at Millard's strange conduct; his curiosity was raised, however, and he took the oathalteration in the MS. And quaking and shuddering, his comrade told the fearful tale.

Reubens was silent for a moment, after Millard had finished.

“Youalteration in the MS spokealteration in the MS of something that fell and rattled on the floor, Joe—what do you suppose it was?”

“It startled me when it fell, but I have no idea what it was, Ben.”

“Well, I'll go after a lantern, and we'll soon find out.”

[begin page 151]

“What! and leave me here by myself! I would n't stay here alone five minutes for a dozen steamboats.”

Soalteration in the MS they both went, and soon returned with a light. Near the foot-boardalteration in the MS, on the starboard side of the wheel, they saw a glittering object, which proved to be a silver watch,alteration in the MS lying open, with the crystal detachedalteration in the MS and broken in half. The break seemed recentalteration in the MS. Neatly engraved, on the back of the watch, were these words.

William JonesPresented by his father.”

Editorial Emendations [Ghost Life on the Mississippi]
  wood-yards (I-C)  ●  wood- | yards
  watchman (I-C)  ●  watch- | man
  Island (I-C)  ●  island
  Jones (I-C)  ●  Jone's
  house, (I-C)  ●  houseʌ
  Then . . . when (I-C)  ●  For when/Then . . . when
  hair (I-C)  ●  hair and
  securely (I-C)  ●  securely[,]
  You're (I-C)  ●  Your'e
Alterations in the Manuscript [Ghost Life on the Mississippi]
 Fictitious] follows canceled ‘The man, Joseph Millard, and I forfeit not confidence’; Clemens interlined ‘pilot’ above canceled ‘man’ and then interlined ‘referred to,’ with a caret above ‘Joseph Millard’. He then canceled the whole sentence.
 himself] follows canceled ‘th’.
 very] follows canceled ‘f’.
 reckon] interlined without a caret above canceled ‘guess’.
 directly] ‘di’ written over ‘in’.
 in order] interlined with a caret.
 “run”] follows canceled ‘take’.
  him, on] open quotation marks before ‘on’ canceled.
 called] ‘ca’ written over ‘m’.
 Goose] interlined without a caret above canceled ‘the’.
 run] follows canceled ‘attempt’.
 dangers,— . . . darkness—] originally ‘dangers, . . . darkness’.
 Then . . . and when] interlined; originally ‘The’; ‘The’ canceled and followed by ‘For when’; ‘For when’ inadvertently left standing when the interlineation was written to replace it.
 when he mentioned it,] interlined with a caret.
 that moment] ‘that’ written over ‘m’.
 sure] interlined without a caret above canceled ‘certain’.
 pulled] interlined without a caret above canceled ‘jerked’.
 as] follows canceled ‘when’.
 from] followed by an uncanceled caret.
 apparently] interlined without a caret above canceled ‘seemingly’.
 alone] interlined with a caret.
 heavy] ‘h’ written over ‘t’.
 ghostly] follows canceled ‘spectre’.
 every moment] interlined with a caret.
  open it,] interlined with a caret.
 disappear] follows canceled ‘then’.
 and] follows canceled ‘at’.
 knows!] exclamation point mended from a comma.
 oath] follows canceled ‘othe’.
 “You] follows canceled ‘ “And’; ‘Y’ mended from ‘y’.
 spoke] follows canceled ‘mentioned’.
 So] follows canceled quotation marks.
 foot-board] ‘rd’ written over ‘t’.
 which proved to be a silver watch,] interlined with a caret.
 detached] followed by a canceled comma.
 recent] follows canceled ‘to be’.
Textual Notes [Ghost Life on the Mississippi]
 Goose Island] Clemens originally wrote “the island” but changed his mind and inserted “Goose” above canceled “the”—leaving “island” lowercase. We have emended the oversight caused by his incomplete revision.
 in five minutes afterwards] As in the copy-text. Although the phrase is redundant, it occurs in dialogue and may be idiomatic. We have therefore not emended.
 Then . . . when] Clemens originally wrote “The” and canceled it. He then wrote “For when” and left this standing while going on to squeeze in the long phrase cited here. We have adopted his last revision.
 house,] The copy-text has no comma. The word is part of the long phrase discussed in the previous note and appears at the very edge of the manuscript page. Since the sense requires a comma, and since the physical situation may have prevented Clemens from writing one, we have emended.
Explanatory Notes [Ghost Life on the Mississippi]
 Joseph Millard] It has not been possible to connect the names of any characters in this tale with persons Clemens knew. He did indeed use “fictitious names . . . throughout the narrative.”
 “Boreas,”] Three steamers of this name were on the river in the 1840s, but none at the time Clemens wrote. He clearly wished to avoid using real names, and chose one appropriate to the time of the events in his tale. The Boreas also appears in chapters 4 and 5 of The Gilded Age.
 Dog Tooth Bend] This very sharp bend about ten miles below Goose Island had a number of small islands in it ( MTMR , p. 239; Cummings, Western Pilot, p. 86).
 “Texas,”] An enclosed structure on a steamboat just below the pilot house and above the hurricane deck; it provided cabins for the officers and for some passengers. On early steamboats it was added behind the pilot house, and “it became known as the ‘texas,’ according to a contemporary explanation, ‘probably because it was annexed’ ” (Hunter, Steamboats, p. 90).
 Goose Island] About thirty miles above Cairo. In September 1860 Clemens' boat Arago sank at Goose Island, but was soon on the river again ( MTMR , p. 147). And in chapter 25 of Life on the Mississippi Clemens recalled how he used to navigate “slowly and gingerly” through the “numberless wrecks” in the perilous “grave-yard.”
 Buffalo Island] About five miles below Goose Island, twenty-five miles up river from Cairo ( MTMR , p. 239).
 Egyptian darkness] Compare Exodus 10:21–22. Clemens often qualified darkness as “Egyptian.”
 “Shingle Pile,”] Perhaps a channel near Goose Island ( MTMR , p. 241).
 gained the foot of the bend] This seems to imply that Millard was approaching Goose Island going up river, as William Jones had done. But other details show that Clemens' overall intention was to represent the ship approaching the passage from St. Louis, going down river. See the following note.
 rounded to under Philadelphia Point] This point was two miles down river from Goose Island ( MTMR , p. 241). Moreover, as Bates points out, the term “rounded to” means that the steamboat was going down river and turned around into the current in order to land gently against the shore ( MTMR , p. 236). Clemens may not have clearly decided whether or not Millard's passage of the “grave-yard” was to be in the same direction as Jones's original extraordinary one.