27 July 1877 • New York, N.Y. (MS, in pencil: CU-MARK, UCCL 01456 and UCLC 50431)
(SUPERSEDED)
Now, my darling, for the first time I consider that I’ve got a holdiday. And the first thing I do with it is to write to my sweetheart. Isn’t that praiseworthy?
To-day’s rehearsal went along pretty satisfactorily; but I notice that when an actorsⒶemendation begins with getting a word or an emphasis wrong, you’ll wear your soul out before you get him corrected. Now at the first rehearsal, these things occurred, to-wit:
Mrs. Plunkett—Little did I think, when I shied the skittle at his head—&c
I—Skillet, madam, skillet, please!
Mr. Plunkett—We s timbered her up, & then stoped stopped her up out—&c
I—StOped, please!
Mrs. Plunkett—It was preforeordestinated beforehandⒶemendation.
I—Take that emphasis away from there & put it on the second syllable of the last word—beforehandⒶemendation!
Mrs. Plunkett—This most momentuous occasion—
I—Momentary, madam!
And so forth & so on. Every day I have made the same old corrections., over & ov Mrs. Plunkett is the worst old fool I ever saw, except the Mrs. Plunkett in Baltimore—both are fine actresses, with high reputations. They are ignorance gone to seed. Still I have only lost my temper two or three times.
I think we have got a fine cast. Mr. Fawcett was to have played Ferguson, a miner, but we have got old Davidge, a man much better known. The “second miner” (Boston,) is taken by Vining Bowers, who has a large reputation—I thought he was one of the great men of the earth when I was a boy. The “third miner” (the vVigilantè judge), is going to play his part deliciously. Our Miss Tempest is very pretty, exceedingly ladylikeⒶemendation & refined, & has nothing in the least stagey or unnatural about her. Mrs. Tempest is a very fine, large, handsome woman of 50, with a pleasant voice & way, & no stage-frills or fo offensivenesses. Mrs. Plunkett is as much as 55, & is going to play her part well. Miss Plunkett must have been created for her part. She is a perfectly honest, kindly, sincere, coarse, vulgar, low-born English wench, large, nobly built, with a beautiful fair face, fair complexion, & an opulence of golden tresses.
The villain of the piece is a tragedian, & is a little stagy. He is the only stagey one in the lot. Mr.Ⓐemendation York is young, handsome, frank, open, & manifestly a gentleman. He is to play the part of a gentleman, too; for Mr. York has been through my mill & is no longer the snob Mr. he was when he left Mr. Harte’s pen. Our Judge Tempest withⒶemendation be all that could be desired.
Mr. Harte will pay me $50 a day for my work here, or I will know the reason why——that is, if the play succeeds.
I have written my speech for the opening night. It is very short—& nothing in it. But there’s really nothing to say. I’ve got a ne new swallow-tailⒶemendation, but I know I could not endure it in that sweltering theatre. I shall wear white linen. You see, if I wear a swallow-tail it is plain I expected to be called out, maybe wanted to be. My! but the laundry here does make my white linen lovely! The driven snow doesn’t begin with it.
Dear old Joe, I must write him.—regars Liberty, my darling, I am very much obliged to you for marrying me, & I love you, love you, love you!
enclosure:
daly’s fifth avenue theatre.
Please send by bearer (& as soon as you come in) fifty of the orchestras for Tuesday and you shall have that number for some other night. The orders for seats are so heavy that we cannot spare so many for Tuesday
in margin: Livy dear, I started in to corr corral a world of dead-heads (the first night of Sellers we had none but dead-heads in the house), but you perceive we are going to play to some money, this time.
MicroML, reel 4.
See Samossoud Collection in Description of Provenance.
More information on provenance may be found in Description of Provenanceclick to open link.