31 December 1874 • Hartford, Conn. (MS: MH-H, UCCL 01171)
We implore the Indignant Subscriber to bear with us yet a little while. We are really only just today getting things fairly going. Please acknowledge receipt of today’s edition. It is unusually full & complete.
T. B. Aldrich, Esq2explanatory note
The self-portrait is on page 1, and this note on page 4, of a monogram letterhead folder, with pages 2 and 3 left blank. Clemens wrote “over” to make sure that Aldrich did not miss the letter.
Aldrich’s response, dated 1 January 1875, was postmarked 4 January (CU-MARK). On the front of its envelope Clemens made this notation:
After sending Aldrich one photograph of myself a day for a week, he discovered the joke & protested against the infliction. So on New Year’s eve I sent him 45 envelops of all possible sizes, containing an aggregate of near seventy differing pictures of myself, house & family. It loaded the postman down.
A few days after, came this letter from Aldrich.
On the back of the envelope, Aldrich wrote a note to be read before the letter itself:
It is no use for that person to send any more letters here. The post-office at this point is to be blown up. Forty-eight hogsheads of nitro-glycyrrhirine have been surreptitiously introduced into the cellar of the building, and more is expected. R. W. E., H. W. L., O. W. H and other conspirators in masks, have been seen flitting about the town for several days passed. The greatest excitement combined with the most intense quietness reigns at Ponkapog.
In facetiously casting Ralph Waldo Emerson, Henry Wadsworth Longfellow, and Oliver Wendell Holmes as masked conspirators, Aldrich may have planted the seed for Clemens’s playful depiction of them as tramps in his famous Whittier dinner speech of 17 December 1877 (see MTHL , 1:212; Fatout 1976, 110–15). Aldrich’s letter read:
Of the “near seventy” pictures Clemens claimed to have sent on 31 December, and the twenty Aldrich acknowledged receiving, only the present inscribed drawing is known to survive. Aldrich may have alluded to the cover of Mark Twain’s Sketches. Number One. Its engraving, which depicted a bespectacled frog reclining under a toadstool, smoking, and reading the pamphlet, was printed in at least two different background colors, orange and green, both on gray-green paper; in neither one, however, was the frog yellow (copies in CU-MARK and DLC; 7 May 74 to Spoffordclick to open link). He also alluded to chapters 10 and 11 of Roughing It, in which Clemens cited Thomas J. Dimsdale’s The Vigilantes of Montana, or Popular Fustice in the Rocky Mountains. Being a Correct and Impartial Narrative of the Chase, Trial, Capture and Execution of Henry Plummer’s Road Agent Band (1866) (see RI 1993 , 64, 69, 585–88, 811, 1034).
MS, Houghton Library, Harvard University (MH-H, Autograph File). Clemens’s drawing is photographically reproduced
L6 , 336–38; Greenslet 1908, facing 114, MS facsimile; Bookman 31 (June 1910): 372, MS facsimile.
Donated by Talbot Aldrich in June 1943.
More information on provenance may be found in Description of Provenanceclick to open link.