Explanatory Notes        Apparatus Notes ()

Source: United States Library of Congress, Washington, D.C ([DLC])

Cue: "I enclose printed"

Source format: "MS"

Letter type: "[standard letter]"

Notes:

Last modified:

Revision History: Paradise, Kate

Published on MTPO: 2022

Print Publication:

This edited text supersedes the previously published text
MTPDocEd
To Ainsworth R. Spofford
23 October 1876 • Hartford, Conn. (MS: DLC, UCCL 02467)
A. R. Spofford, Esq
Dr Sir:

I enclose printed title of a Drama entitled “Ah Sin” which Mr. Bret Harte & I wish to copyright.

Please collect the check for $1 which I formerly sent.1explanatory note

Ys Truly

Sam. L. Clemens

enclosure: 2explanatory note

AH SIN — A DRAMA: By Bret Harte & Sam. L. Clemens.
Hartford: 1876.         

letter docketed: “Mark Twain” enclosure docketed: copyright oct 25 1876 and in pencil: 11948G | 100 Dram | a of U. S

Textual Commentary
Source text(s):

MS, Papers of Ainsworth Rand Spofford, DLC.

Previous Publication:

MicroPUL, reel 1.

Provenance:

The Spofford Papers were acquired by DLC between 1923 and 1982, primarily as a donation from Barbara Spofford Morgan.

More information on provenance may be found in Description of Provenanceclick to open link.

Explanatory Notes
1 

The letter that presumably accompanied this payment has not been located.

2 

Clemens requested this title page in his letter of 11 October to Howellsclick to open link. Howells sent it a few days later, probably with a cover letter that is not known to survive. In accordance with Clemens’s request, only the first line, except for the colon, is printed. The colon and the rest of the information are in Clemens’s “penmanship.” Copyright was entered at the Copyright Office of the Library of Congress on 25 October 1876, under number 11948 (Lehr 1982, 2; Dramatic Compositions 1918, 1:30). Clemens evidently did not acknowledge receipt of the title page, leading Howells to remind him, at the end of the following letter, that he had sent it (CU-MARK):

editorial office of the atlantic monthly. the riverside press, cambridge, mass.
My dear Clemens:

I have been putting the Atlantic people up to a little enterprise, which I think will be a pretty thing, and I appeal to you with all the generosity of a man who knows he is asking a favor, to share in the impending prosperity. I have persuaded them to attempt a series of reprints of one-number stories from the Atlantic, with a page like the enclosed, to which they will fit an elegant cover and make the most stylish little book ever published in this country.

Now why can’t you let us start the Atlantic Series with your Carnival of Crime? It is a thing apart from your other writings, and wouldn’t in the course of nature be collected into a volume of sketches for some years. This publication wouldn’t hurt the volume, and it would put money in your purse, besides starting the Series brilliantly. Don’t consent for my sake—you’re capable of it!—but if you can consent with comfort and confidence, do it.—The print will be lifted and backed a little on the page so as to give a deep bottom and side margin, as in the Elzevirs. We mean to make something exquisite.—I sent you the Ah-Sin titles some days ago. I shall be curious to know the outcome of your undertaking. I think Harte has acted crazily about the criticism of his play, but he’s been shamefully decried and abused. Of course no man knows till he’s tried how absurdly he’ll act, but I wish Harte had not been tried.

Yours ever
W. D. Howells.

Neither Howells’s enclosed specimen page nor Clemens’s response to his letter has been found. By “Elzevirs” Howells meant books published by the Dutch printing firm founded in Leiden in 1580 by Lowys Elzevir. Before the original firm shut down in 1712—the modern firm Elsevier succeeded it in 1880—it published thousands of titles, classical as well as popular. The company's anonymous historian reported, “The use of the word ‘Elzevir’ as a noun describing a ‘pocket-book’ sized collector’s edition of the classics became quite commonplace in the educated parlance of the late nineteenth century” (Elsevier 2005, 1–2). Clemens presumably rejected Howells’s proposal for the same “mercenary” reasons he had declined an 1875 proposal from the Atlantic Monthly’s publishers (see 12 Feb 1875 to Houghton and Company, L6 , 379–80). In 1877 he issued his own pocket-sized book, A True Story, and the Recent Carnival of Crime, reprinting those two Atlantic Monthly sketches, through James R. Osgood and Company (SLC 1874d; SLC 1876h; SLC 1877b). Howells alluded to Harte’s foolish and immoderate attack, in September 1876 letters to the New York press, on critics of his play, Two Men of Sandy Bar (for details of the episode and Harte’s letters, see AutoMT2, 631–32; Scharnhorst 1992, 56–59; Scharnhorst 1995, 144–45; Harte 1997, 128–33, 135–37, 139–41).

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