Explanatory Notes        Apparatus Notes ()

Source: New York Public Library, Albert A. and Henry W. Berg Collection, New York ([NN-BGC])

Cue: "I did not think I should ever stand on a platform"

Source format: "MS"

Letter type: "[standard letter]"

Notes:

Last modified:

Revision History: AB

Published on MTPO: 2022

Print Publication:

This edited text supersedes the previously published text
MTPDocEd
To Thomas Nast
12 November 1877 • Hartford, Conn. (MS: NN-BGC, UCCL 02518)
My Dear Nast:

I did not think I should ever stand on a platform again until the time was come for me to say, “I die innocent.” But the same old offers keep arriving that have arrived arriven every year & been every year declined—$500 for Louisville, $500 for St Louis, $1000 gold for 2 nights in Toronto, half gross proceeds for New York, Boston, Brooklyn, &c. I have declined them all, just as usual—though sorely tempted, as usual.

Now I do not decline because I mind talking to an audience, but because, (1.) traveling alone is so heart-breakingly dreary, & (2), shouldering the whole show is such a cheer-killing responsibility.

Therefore, I now propose to you what you proposed to me in November ’67—ten years ago (when I was unknown,)—viz., that you stand on the platform & make pictures, & I stand by you & blackguard the audience. I should enormously enjoy meandering around, (to big towns—don’t want to go to little ones)—with you for company.1explanatory note

My idea is, not to fatten lecture-agents & lyceums on the spoils, but put all the ducats religiously into two equal piles & say to the artist & the lecturer, “Absorb these.”

For instance—this being the plan: Pay the lecture bureau 2 per cent of gross receipts to engage halls & arrange dates & route for us. Take an agent with us to tend door, at & shoulder all details, at $70 or $75 per week, he to pay his own expenses. Perform at a dollar a ticket, & only in towns capable of furnishing from eight to 1200-dollar audiences.

Have 50-cent or 75c admissions, also, in halls & theatres where there are galleries, if considered expedient.

Take a hall in New York for 2 weeks (with privilege of extending the time if it is were if necessary); go from there elsewhere, & come back & finish there with 2 to 3 weeks more, at the end of the trip.

Begin Feb 1st & perform 100 times (not including Wednesday & Saturday matinées)—call the gross result $100,000 for 4 months & a half, & the profit from $60,000 to $75,000. (I try to make the figures large nough enough, & leave it to the public to reduce them.)

I lectured 2 nights in Steinway Hall once, on for half of the gross receipts. We packed the house both nights at a dollar a head. The rent of the hall was either $200 or $250 per night, & the advertising little or nothing, because there was not time to do much.2explanatory note Norw I think know you & I could pack that hall 6 nights & 2 matineés—& double this ti that time in a smaller hall. We could clear $3000emendation apiece for a Steinway week with no trouble at all.

We can pack Music Hall in Boston (it seats near about 2500) 2 nights & one matinée, or run a week in a smaller hall.

New York,– – 12 days (or 24)
(small hall & 4 matinees)
Baltimore– – 2 (& 1 matinee)
Washington 2—
Boston—– 2 (& 1 matinèe)
(Music Hall)
Providence— 1
Chelsea—– 1
Portland— 1
Binghamton 1
Elmira—–– 1
Buffalo—– 2
Cleveland— 2
Pittsburgh— 2
Columbus— 1
Detroit—– 1
Chicago—– 6 4 (& 2 1 matinees[)]
St Louis— 4
Cincinnati— 4 (& 1 mat.)
Louisville— 2 (or 3)
Toronto— 2
Hamilton— 1
New Haven— 1
Stamford— 1
Bridgeport— 1
Hartford— 1
New York 12 (again)
 & 4 mat)
 ————
   ————
   Total 75.

I have no mapemendation by me, else I could easily pick out & add 25 one-thousand dollar towns scattered about n New England & along that route.

You & I can cram any house in America just as full as it can hold.

I did not put in Philadelphia because Pugh owns that town, & last winter when I made a little reading-trip he only paid me $300 & pretended his concert (I read 15 minutes in the midst of a concert) cost him $600 a vast sum, & so he couldn’t afford any more. I could get up a better concert with a barrel full of cats.3explanatory note

I am deep in a book, which I can have ready for the printers & the dramatist (for I want it dramatised) by the end of January, & be ready for you then, if you like the project.4explanatory note

I have imagined two or three pictures & concocted the accompanying remarks to see how the thing would go. I was charmed.

Well, you think it over, Nast, & drop me a line.5explanatory note I am not proposing a novelty in business. In California & Nevada I always ran my own show, took all the risks myself & pocketed the whole profit. My agent got nothing but a salary.6explanatory note I know this business from A to Z.

By George, w We should have some fun!

Yrs Truly
Sam. L. Clemens7explanatory note
Textual Commentary
Source text(s):

MS, NN-BGC.

Previous Publication:

MTL , 1:311–12, partial publication; MTB , 2:612, partial publication.

Provenance:

Sold for $43 by Merwin-Clayton after Nast’s death (“For Twain Letter, $43,” New York Tribune, 3 Apr 1906, 7). It is not known when the MS became part of the Berg Collection, given by Dr. Albert A. Berg to NN in 1940, but continuously enlarged since then.

More information on provenance may be found in Description of Provenanceclick to open link.

Explanatory Notes
1 The lecture proposal from political cartoonist Thomas Nast (which has not been found) was not the only one that Clemens turned down in November 1867, after his return from the Quaker City excursion. Rather than lecture immediately, he hoped to extend his reputation through contributions to the New York Tribune and other newspapers, thereby increasing his platform appeal and earning power (see 24 Nov 1867 to Fuller through 25 Nov 1867 to JLC and family, L2, 111–17).
2 Clemens delivered his Sandwich Islands lecture on 5 and 10 February 1873 in Steinway Hall in New York (24 Jan 1873 to Redpath, L5, 280–81).
3 In Philadelphia Clemens’s regular agent was T. B. Pugh, the city’s leading lecture manager (29 Nov 1869 to OLL, L3, 415–16; L4: 14 Nov 1870 to Pugh, 239–40; 10 June 1871 to Redpath and Fall, 399, 401 n. 4). On 14 November 1876, at the Academy of Music in that city, he had read “An Encounter with an Interviewer” and “Experience of the McWilliamses with Membranous Croup.” The accompanying acts were operatic soprano Emma C. Thursby and an instrumental group (19 Oct 1876 to Saunders, n. 2).
4 Clemens was working on a novelization of the play he had written in the summer of 1877, calling it Simon Wheeler, Detective. On 31 October Howells suggested that he make his “amateur detective” as much “like Capt. Wakeman as you can make him. Why not fairly and squarely retire an old sea-dog, and let him later [take] to detecting in the ennui of the country? This is what you first tho’t of doing, and I don’t believe you can think of anything better. I want the story for The Atlantic” (Howells to SLC, 31 Oct 1877, CU-MARK). Clemens did not adopt Howells’s idea about the character, and although by early 1878 he had hired a “talented young fellow” to dramatize the novel, he left his manuscript unfinished and soon set it aside. In January 1879 he told Howells that he had “given up writing a detective novel—can’t write a novel, for I lack the faculty” (5 Feb 1878 to Fairbanks and 21 Jan 1879 to Howells, Letters 1876–1880). He nevertheless did return to it sporadically until about 1898. His manuscript of 541 leaves, and several pages of working notes, survive in the Berg Collection of the New York Public Library (see S&B, 307–454, where, however, the “talented young fellow” is erroneously conflated with Fanny C. Hesse, the secretary who copied the 1877 play; SLC 1877–?98).
5 Nast’s reply, which is now lost, was negative. The next letter confirms that he was with Clemens in Hartford sometime in November, presumably after receiving his proposal, but the date of his visit has not been discovered. On 5 February 1878 Clemens told Mary Mason Fairbanks that Nast “hates the platform—says there is not money enough in the world to hire him to show his face to an audience again” (Letters 1876–1880). Nast was prone to severe stage fright, which had forced him to withdraw from solo lecture tours in the 1873–74 and 1875–76 seasons (18 Sept 1875 to Howells, L6, 538–39 n. 4).
6 Clemens’s 1866 lecture tour in California and Nevada was managed by Denis E. McCarthy, his former Virginia City Territorial Enterprise associate (see the link note following 25 Aug 1866 to Bowen, L1, 361–62).
7 

In his autobiographical dictation of 3 April 1906, Clemens inserted an article from that morning’s New York Times, reporting that the present letter “brought $43 yesterday at the auction by the Merwin-Clayton Company of the library and correspondence of the late Thomas Nast, cartoonist” (“Mark Twain Letter Sold,” 2). He remarked:

This is as it should be. This is worthy of all praise. I say it myself lest other competent persons should forget to do it. It appears that four of my ancient letters were sold at auction, three of them at twenty-seven dollars, twenty-eight dollars, and twenty-nine dollars respectively, and the one above mentioned at forty-three dollars. There is one very gratifying circumstance about this, to wit: that my literature has more than held its own as regards money value through this stretch of thirty-six years. I judge that the forty-three-dollar letter must have gone at about ten cents a word, whereas if I had written it to-day its market rate would be thirty cents—so I have increased in value two or three hundred per cent. I note another gratifying circumstance—that a letter of General Grant’s sold at something short of eighteen dollars. I can’t rise to General Grant’s lofty place in the estimation of this nation, but it is a deep happiness to me to know that when it comes to epistolary literature he can’t sit in the front seat along with me. (AutoMT2, 10)

In his dictation of 4 April, Clemens inserted that day’s continuing Times account of the sale (“30 Cents for McCurdy Poem,” 9), which listed the prices brought for letters by Theodore Roosevelt (five letters, $1.50–$2.25), William T. Sherman (one letter, $6.00), Philip H. Sheridan (one letter, $12.25), and Abraham Lincoln (one letter, $38.00). He commented:

It is a great satisfaction to me to notice that I am still ahead—ahead of Roosevelt, ahead of Sherman, ahead of Sheridan, even ahead of Lincoln. These are fine laurels, but they will not last. A time is coming when some of them will wither. A day will come when a mere scratch of Mr. Lincoln’s pen will outsell a whole basketful of my letters. A time will come when a scratch of the pens of those immortal soldiers, Sherman and Sheridan, will outsell a thousand scratches of mine, and so I shall enjoy my supremacy now, while I may. I shall read that clipping over forty or fifty times, now, while it is new and true, and let the desolating future take care of itself. (AutoMT2, 13)

Emendations and Textual Notes
  $3000 ●  $30 $3000 corrected miswriting
  map ●  map map corrected miswriting
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