Explanatory Notes        Apparatus Notes ()

Source: American Magazine, July 1910, 372 ([])

Cue: "Just after the successful production"

Source format: "Transcript"

Letter type: "[standard letter]"

Notes:

Last modified: 1999-04-27T00:00:00

Revision History: HES 1999-04-27 was 1874.09.20 to 1874.09.23

Published on MTPO: 2007

Print Publication: v6

MTPDocEd
To Henry Watterson
8? November 1874 • Hartford, Conn. (Paraphrase: Watterson 1910, 372, and two others, UCCL 12054)

Just after the successful production of his oneemendation play, “The Gilded Age,”emendation and the famous hit made byemendation the late comedian, John T.emendation Raymond, in itsemendation leading rôle, I received a letter from him1explanatory note in which he told me he had made in Col.emendation Mulberry Sellers a close study of a certain mutual kinsmanemendation and thought he had drawn him to the life, “butemendation for the love ofemendation Godemendation” he said, “don’t whisper it,emendation for he would never understand,emendation or forgive me,emendation if he did not thrash me on sight.”2explanatory note

Textual Commentary
8? November 1874 • To Henry WattersonHartford, Conn.UCCL 12054
Source text(s):

No copy-text. The text derives from three paraphrases that Watterson made of Clemens’s letter:

P1   Watterson 1910, 372
P2   Watterson 1911, 25
P3   Watterson 1919, 1:121

P1, an article in American Magazine, is deemed more reliable overall, since it reflects Watterson’s earliest recollection of Clemens’s words. Nevertheless, one reading in P3 (his autobiography)—“God” instead of “Heaven”—has been preferred, since it seems plausible that in the later publication he did not feel constrained to temper Clemens’s language. P2 (Watterson’s speech at Clemens’s memorial service in November 1910) does not contain the reading “God,” but did serve as the source for the autobiography, and therefore included the first printing of several rejected substantive readings. All variants are reported below.

Previous Publication:

L6 , 273–274; Watterson 1922, 84–85; 1927, 610.

Explanatory Notes
1 

This letter is dated on the evidence of other November correspondence between Watterson, Clemens, and Jane Clemens. Its allusion to “a certain mutual kinsman” indicates that it was probably a reply to the now lost letter from Watterson (described by Clemens in his letter to Parish of 10 November) in which he claimed kinship with the Clemens family through James J. Lampton, the prototype of Colonel Sellers. Lampton was one of Jane Clemens’s first cousins: her father, Benjamin Lampton, was the brother of Lewis Lampton, James’s father. James’s mother was the sister of Watterson’s maternal grandmother, Mary Morrison ( L5 , 372–73 n. 1, 412–13 n. 4).

2 

Clemens explained his use of the name “Mulberry” in his preface to The American Claimant (SLC 1892, vii):

The Colonel Mulberry Sellers here reintroduced to the public is the same person who appeared as Eschol Sellers in the first edition of the tale entitled “The Gilded Age,” years ago, and as Beriah Sellers in the subsequent editions of the same book, and finally as Mulberry Sellers in the drama played afterward by John T. Raymond.

The name was changed from Eschol to Beriah to accommodate an Eschol Sellers who rose up out of the vasty deeps of uncharted space and preferred his request—backed by threat of a libel suit—then went his way appeased, and came no more. In the play Beriah had to be dropped to satisfy another member of the race, and Mulberry was substituted in the hope that the objectors would be tired by that time and let it pass unchallenged. So far it has occupied the field in peace; therefore we chance it again, feeling reasonably safe, this time, under shelter of the statute of limitations.

Mark Twain.

Hartford, 1891

Although nothing is known about the “member of the race” who objected to “Beriah,” the history of the objection to “Eschol” is fully documented. In the late 1890s Clemens recalled that Warner named the original character “Eschol” after “a farmer in a cheap & humble way” whom he had met ten years earlier “in a remote corner of the West.” But while the book was still in press, “a college-bred gentleman of courtly manners & ducal upholstery arrived in Hartford in a sultry state of mind & with a libel suit in his eye, & his name was Eschol Sellers!” (SLC 1897–98, 23–24). This Sellers, a member of a wealthy Philadelphia family, happened to be an acquaintance of Warner’s, through a mutual friend. While the book was still in press, this friend saw an agent’s prospectus, and alerted Sellers to the use of his name. Sellers, believing himself to be the namesake of the character, wrote Warner to protest, threatening a lawsuit. (Six letters between Sellers and Warner, all written in January 1874, survive at PPAmP.) Bliss thereupon agreed to substitute “Beriah” for “Eschol” in the plates. An inaccurate newspaper account circulated in 1875 claimed that it was Clemens who had met the Philadelphia Sellers “in the East somewhere, and from the peculiarities of the man was induced to appropriate his name” (“Colonel Mulberry Sellers,” Boston Advertiser, 21 Apr 75, 2, reprinting the Evansville [Wis.] Courier of unknown date). For further discussion, see Lampton 1989, 50–54.

Emendations and Textual Notes
  his one (#P1)  ●  his (#P2, #P3) 
  “The Gilded Age,” (#P1)  ●  The Gilded Age, (#P2)  The Gilded Age, (#P3) 
  famous hit made by (#P1)  ●  uproarious hit of (#P2, #P3) 
  late comedian, John T. (#P1)  ●  comedian, (#P2, #P3) 
  its (#P1, #P2)  ●  the (#P3) 
  Col. (#P1, #P2)  ●  Colonel (#P3) 
  a certain mutual kinsman (#P1)  ●  a certain mutual kinsman, (#P2)  one of these kinsmen (#P3) 
  life, “but (#P1)  ●  life—“But (#P2)  life. “But (#P3) 
  of (#P1, #P2)  ●  o’ (#P3) 
  God (#P3)  ●  Heaven (#P1, #P2) 
  it, (#P1, #P3)  ●  it; (#P2) 
  understand, (#P1)  ●  understand‸ (#P2, #P3) 
  me, (#P1, #P3)  ●  me; (#P2) 
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