Explanatory Notes        Apparatus Notes ()

Source: Middlebury College, Middlebury, Vt ([VtMiM])

Cue: "I read the"

Source format: "MS"

Letter type: "[standard letter]"

Notes:

Last modified:

Revision History: AB

Published on MTPO: 2007

Print Publication: v6

MTPDocEd
To Thomas Bailey Aldrich
18 December 1874 • Hartford, Conn. (MS: VtMiM, UCCL 01166)
slc                        farmington avenue, hartford.
My Dear Aldrich:

I read the Cloth of Gold through, coming down in the cars, & it is just lightning poetry—a thing which it gravels me to say because my own efforts in that line have remained so persistently unrecognized, in consequence of the envy & jealousy of this generation.1explanatory note Baby Bell always seemed perfection, before, but now that I have children it has got even beyond that. About the hour that I was reading it in the cars, Twichell was reading it at home & forthwith fell upon me with a burst of enthusiasm about it when I saw him. This was pleasant, because he has long been a lover of it.2explanatory note

“Thos. Bailey Aldrich responded” etc., “in one of the brightest speeches of the evening.”

That is what the Tribune correspondent says. And that is what everybody that heard it said. Therefore, you keep still. Don’t ever be so wise unwise as to go on trying to unconvince these people.3explanatory note

I’ve been skating around the place all day with some girls, with Mrs. Clemens in the window to do the applause. There would be a power of fun in na emendationskating if you could do it with somebody else’s muscles. There emendationare about twenty boys booming by the house, now, & it is mighty good to look at.4explanatory note

I’m keeping you in mind you see, in the matter of photographs. I have a couple to enclose in this letter & I want you to say you got them & then I shall know I have been a good, truthful child.5explanatory note

I am going to send more, as I ferret them out, about the place. And emendationI won’t forget that you are a “subscriber.”6explanatory note

The wife & I unite in warm regards to you & Mrs. Aldrich.

Ys Ever
S. L. Clemens
Textual Commentary
18 December 1874 • To Thomas Bailey AldrichHartford, Conn.UCCL 01166
Source text(s):

MS, Middlebury College, Middlebury, Vermont (VtMiM).

Previous Publication:

L6 , 321–24; MTL , 1:239–40.

Provenance:

The MS has been at VtMiM since at least 1941.

More information on provenance may be found in Description of Provenanceclick to open link.

Explanatory Notes
1 

Clemens read Aldrich’s recently published Cloth of Gold and Other Poems while returning to Hartford on the morning of 16 December. Aldrich inscribed his gift copy, “Unalterably, T. B. A. | Boston | Dec. 1874” (Gribben, 1:15). Clemens’s “own efforts in that line” were few: see 24 Oct 74 to Howells (2nd), n. 2click to open link.

2 

In one of his first letters to Aldrich, in 1871, Clemens recalled a boisterous Virginia City recitation of the sentimental “Ballad of Babie Bell,” originally published in 1855 (see L4 , 317). The poem was included as “Baby Bell” in Cloth of Gold (Thomas Bailey Aldrich 1874, 91–96). In an Autobiographical Dictation of 3 July 1908, Clemens remarked:

Aldrich was never widely known; his books never attained to a wide circulation; his prose was diffuse, self-conscious, and barren of distinction in the matter of style; his fame as a writer of prose is not considerable; his fame as a writer of verse is also very limited, but such as it is it is a matter to be proud of. It is based not upon his output of poetry as a whole but upon half-a-dozen small poems which are not surpassed in our language for exquisite grace and beauty and finish. These gems are known and admired and loved by the one person in ten thousand who is capable of appreciating them at their just value. (CU-MARK, in MTE , 293)

3 

The unidentified “occasional correspondent” of the New York Tribune, in a lengthy report of the Atlantic dinner, remarked, “Thomas Bailey Aldrich responded to the toast, ‘The Theory of Short Stories,’ in one of the brightest speeches of the evening” (“A Dinner on Parnassus,” 18 Dec 74, 3). In an Autobiographical Dictation of April 1904, Clemens recalled telling Robert Louis Stevenson that no man, “ancient or modern,” was in Aldrich’s class as a talker, and

that Aldrich was always witty, always brilliant, if there was anybody present capable of striking his flint at the right angle; that Aldrich was as sure and prompt and unfailing as the red hot iron on the blacksmith’s anvil—you had only to hit it competently to make it deliver an explosion of sparks. I added—

“Aldrich has never had his peer for prompt and pithy and witty and humorous sayings. None has equalled him, certainly none has surpassed him, in the felicity of phrasing with which he clothed these children of his fancy. Aldrich was always brilliant, he couldn’t help it, he is a fire-opal set round with rose diamonds; when he is not speaking, you know that his dainty fancies are twinkling and glimmering around in him; when he speaks the diamonds flash. Yes, he was always brilliant, he will always be brilliant; he will be brilliant in hell—you will see.” (CU-MARK, in MTA , 1:247–48)

4 

The Clemenses’ house overlooked the north branch of the Park River (Van Why, 5).

5 

Neither of Clemens’s photographic enclosures is known to survive. The image of himself may have been the same one he had sent to Miller on 2? December. For the probable image of the Hartford house, see 26? Jan 75 to Brush.click to open link

6 

Aldrich replied (the ellipses in the first paragraph are his; CU-MARK):

Dec 22d 1874

My dear Clemens:

When I subscribed to The Weekly Photograph I had some doubts as to whether I should get the numbers regularly. The police, you know, have a way of swooping down on that kind of publication. The other day they gobbled up an entire edition of The Life in New York. I trust that the Life of Hartford (or any other place he happens to be in) will not come to grief that way. . . . It is a good portrait. Looks like a man who has just thrown off an Epic in twelve books, for relaxation. I was glad to get the picture of where you live. It is apparently a comfortable little shanty. Cosy, and all that sort of thing. But you ought to see my Mansion at Ponkapog. It could n’t have cost less than $1500. to build. And then the land. Land at Ponkapog brings $25 per acre; but then real estate has gone up everywhere. The soil here is so light that it would go up of itself, if you let it alone. They have to put manure on it to keep it down. The house is furnished in a style of Oriental splendor. Straw-matting everywhere—even in the servants’ rooms, straw-matting. It’s as common with us as Turkey rugs and Wilton carpets in the homes of the poor. Of course you can’t have these things, but you are content. I like to see a man living within his means—and content.

That day after I left you, or you left me, or we left each other—I don’t know how to state the sorrowful occurrence correctly—I went and hunted up old Howells and carried him off with me to my suburban Palace. He wandered from room to room bewildered by the fluted pillars (on the beds!) and the gorgeous architecture of the coal bins. We wished for you, but that goes without saying. Howells got to laughing in the early part of the evening, did n’t let up at all, carried him off to bed at ½ past 11, still laughing—the same old laugh he had started at 7 o’clock. I woke up two or three times somewhere near daybreak, and he was a-going it!—My friend, you can afford to say that I didn’t make a three-ply donkey of myself at that dinner—you, who are bubbling over with after-dinner happinesses like a perpetual thermal spring. But I did. I had never made a speech. It was understood that I was not to be called upon, and when that cheerful old death’s head at the other end of the table sung out my name, “I wished I was dead”,—like Henry Ward Beecher. But I can make a speech, and a devilish good one, when there is n’t anybody around. I wish I had been prepared. I had two or three personal enemies at that festive board, old John Brown Sanborn, and that fellow Perrywinkle, who looks like a fugitive tape-worm—the cream-colored chap who got up in sections to reply to a toast and got all tangled in his inability. But this can’t interest you. If I were abusing some of your foes you’d take some interest in it.—I wish I had known that Mr Twichell cared for any of those verses; I would have liked to send him the book by your hands. I will yet, if you think it would please him. A man sent me a volume of poems the other day and I’ve been longing ever since to brain the author. I wouldn’t like to generate such a desire in your excellent friend, to whom my remembrances.

Mrs T B, who, I regret to say, is having a dreadful cold, sends her love to your wife. You need n’t try to get any of it away from her. We hope that you found the little one entirely well when you reached home, and were filled with regret that you did not stay over and spend the night with your faithful friends, the marquise and marquis of Ponkapog.

Yours always
T. B. Aldrich.

Aldrich may have alluded to Life in New York! (New York: Collin and Small, 1872), a booklet containing two humorous sketches, “Searching for the White Elephant” and “Kicked into Good Luck.” Fifty-one-year-old Henry Houghton was “that cheerful old death’s head,” who, at the Atlantic dinner, presided from the head of the table while Howells, Aldrich, and Clemens were seated at the foot. Also mentioned were dinner guests Sanborn and Perry, and Clemens’s letter of 20 Nov 74 to Howells (1st)click to open link, which Howells had shared (see 20 Nov 74 to Howells [2nd], n. 1click to open link; Lathrop). Sometime later, Clemens made the following note, which he kept with Aldrich’s letter (CU-MARK):

From Thos. Bailey Aldrich the poet.


In Boston he had abused me for never sending him any photographs of myself. I came home & put up 52 different specimens in 52 envelops & began to mail one daily to him. In this letter he has not yet discovered the joke.

S. L. C.
Emendations and Textual Notes
  na  ●  possibly ‘no’
  muscles. There ●  muscles.— | There
  place. And ●  place.— | And
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